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Bespoke embroidered and hand-bound memories journal

A handmade book to celebrate the marriage of two very close friends. 

The embroidery design is on linen, with herringbone edging and ribbon detail. I used a combination of coptic and French link stitch to bind plain signatures, giving the recipients loads of space for documenting a lifetime of memories together!

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War Horse Illustrations

I created 3 original illustrations with binding for the House of Illustration 2016 competition. Sadly I didn't make the cut this year, but I'm really pleased with the results.

All of the illustrations are block printed to create 3 original plates. The different elements of the binding were also cut and printed and then edited in photoshop to create a suggested binding layout as per the competition guidelines. This image shows the front and spine.

I grew up only a few miles from where this book was set - and the author lives - and loved it as a child, so it holds a very special place in my heart.

I wanted to create images that evoked a classic style of book illustration, and to reflect the open, unconditional friendship and bond between Joey and Albert, whilst also being able to portray the raw emotion and challenges both faced. Keeping the images in black and white makes them much more striking to the eye, supporting the stark reality of war.

Handmade sketchbook and personalised cover

A private commission, I made this sketchbook/journal and created the personalised cover for a 30th birthday present.


As a lover of all things books, I wanted to create a classic sketchbook and cover for Holly, whilst maintaining a contemporary style.

The sketchbook was made with an exposed coptic stitch in contrasting colour, with handprinted endpapers.

I love this style of binding for a sketchbook as it leaves much more room to add things without distorting the pages. It also means you can open up the sketchbook flat for easier working.


The cover uses upholstery fabric so it's more robust and I also added some wadding to the spine for further protection.


Book of Illustration Competition 2015

Sadly, I wasn’t able to complete these illustrations, or the binding image, in time for entry, but I thought I’d upload my work in progress anyway.

I wanted to maintain a vintage print style, but with a contemporary finish, keeping the colour palette limited and the lines hand drawn. The deep, mossy greens reflecting the sense of death and decay that runs through each ghost story, and the curved, whispy lines adding to the mystery and intrigue evident throughout.

The first illustration is for the story The Treasure of Abbott Thomas by M.R. James.

‘So the whole secret was out;
'Ten thousand pieces of gold are laid up in the well in the court of the Abbot’s house of Steinfeld by me, Thomas, who have set a guardian over them. Garc a qui la touche.’

The second, The Upper Berth by F. Marion Crawford.

'Everybody stopped talking. Brisbane’s voice was not loud, but possessed a peculiar quality of penetrating general conversation, and cutting it like a knife. Everybody listened.’

The third, A Tale of an Empty House by Anon.

'I saw masts against a sheet of water that appeared to stretch unbroken into the rain shrouded gloom of the gathering night’